Formed back in the heady days of 1987 at the start of the ‘aceed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talking Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.

By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.

By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.

In 1993, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. Ian Brown played his first solo gig at the club, Bjork, Cornershop, Ocean Colour Scene, Afrika Bambaataa and Soul II Soul all graced the stage while DJs like Andy Wetherall, Gilles Peterson, David Holmes, David Morales and James Lavelle all featured regularly. The label relocated to Hoxton Square but the club was indeed a victim of its own success. Whilst winning the prestigious Time Out Club Of The Millennium award, the very few residents who lived in Hoxton at the time resented the queues snaking round the square and the bass frequencies from Goldie’s massive system. “Too many people in the area,” they said… If they thought that then, how do they feel now that the area’s transformation into London’s cultural quarter is complete? The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2011 and we find the label firmly ensconced in their office at the top of Brick Lane and parading a whole host of new signings… The legendary Tony Christie has released a groundbreaking and career-defining LP, Matt Berry, the comic genius behind Snuff Box has contributed a warm pastoral prog-folk opus, Twisted Tongue followed their debut with a slice of progressive contemporary soul and the Rare Mod series goes from strength to strength showcasing a whole host of undiscovered sixties gems in the series of compilations, extended-play vinyls and books…

In short, and twenty-four years from those heady days in Hackney, Acid Jazz Records are thriving – and the label are about to launch a whole new wave of signings. Watch this space!